First and foremost, me and Ed split up the 4 days of recording between us and went through every single track and renamed so that the editor could sync it all up and use it for editing. To do this efficiently we titled them by there scene, slate and take as shown below.

(Files from day 4 of recording.)

 

After doing this we would be giving the tracks to the editor who would be then be tasked with editing the piece to picture lock by the 5th of December, giving us 10 days to finish the final mix which was plenty of time. We took the advice of Lucy, our week 9 lecturer who recommended that we ask for an OMF file from the editors. This allowed us to work on a project where all the audio was already in place and separated, allowing optimum editing to every single element of sound within the film.

 

As my colleague was in charge of post production, I often took a backseat but still offered help with creative decisions whilst also capturing relevant foliage for the film.